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Set Cooke Anamorphic /i – 32, 40, 50, 75, 100 T/2.3

Set Cooke Anamorphic /i – 32, 40, 50, 75, 100 T/2.3

Now Available in Montevideo : Cooke Anamorphic/i – 32mm, 40mm, 50mm, 75mm, 100mm T/2.3

  • I-Code: 14510100-K
  • Daily Rate: US$ 2000
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now available

Feature Highlights

· Lenses available: 32, 40, 50, 75 and 100mm with 2x squeeze.
· T2.3 to T22 aperture.
· Linear iris.
· Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
· /i Squared Technology for lens metadata capture included as standard.
· The Cooke Look® and colour matched with all other Cooke lenses.
· Especially well balanced for astigmatism and corrected for lateral and longitudinal aberrations over the entire image area.
· Award-winning cam-style focus mechanism allows for smooth focus adjustments.
· Superb optical and mechanical performance.

The Cooke Anamorphic/i Look

All of the anamorphic characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. That’s the Cooke Anamorphic/i Look. Images beautifully rendered for film and especially suited for use with digital cameras. Exceptionally well corrected aberrations over the entire image area – astigmatism, lateral and longitudinal colour – that will render shape, form and soul to your images.

While the "look" is crucial, precision engineering and seamless integration with other equipment is equally important. The Anamorphic/i, T2.3 primes in seven focal lengths are colour matched to our S4/I and miniS4/i lenses.

Superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like our S4/I and miniS4/i primes, the cam focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. The Anamorphic/i lenses are designed and made in Leicester, England.

/i2 Technology

Each of our Anamorphic/i prime lenses are supplied with the next generation of I Technology and are designed for all PL mounted professional motion picture film and electronic cameras. Cooke’s /i Squared Technology provides cinematographers and camera operators with vital information including inertial tracking data in addition to lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements. All the information can be captured frameby-frame for real-time display and for use in post-production.

Specifications

32mm40mm50mm75mm100mm
T-Stop RangeT2.3 - T22T2.3 - T22T2.3 - T22T2.3 - T22T2.3 - T22
Angular Rotation of Iris Scale90°90°90°90°90°
Min. Market Object Distance840 mm840 mm840 mm1000 mm1100 mm
33 in33 in33 in39 in44 in
Close Focus from Lens Front550 mm550 mm550 mm800 mm900 mm
22 in22 in22 in31 in35 in
Angular Rotation to MOD Endstop300°300°300°300°300°
Max. Angle of View Horizontal | Vertical77.5° H62.8° H50.7° H34.1° H25.7° H
32.6° V26.3° V21.2° V14.1° V10.7° V
Lenght from Front to Lens to Lens Mount196 mm197 mm198 mm199 mm200 mm
7.68 in7.68 in7.68 in7.68 in7.68 in
Max. Front Diameter110 mm110 mm110 mm110 mm110 mm
4.33 in4.33 in4.33 in4.33 in4.33 in
Total Weight2.68 Kg2.93 Kg2.74 Kg2.64 Kg2.93 Kg
5.90 Lbs6.47 Lbs6.03 Lbs5.81 Lbs6.47 Lbs

Maximum Format Covered33.54mm Diagonal.
Focus ScalesTwo opposing focus scales – metric or footage. Scales marked from infinity to MOD.
Focus Drive Gear140 teeth 0.8 metric module x 6.0 wide x 102 from the rear of PL mount flange.
Iris ScalesTwo opposing linear T scales – whole and third stops marked.
Iris Drive Gear114 teeth 0.8 metric module x 4.0 wide x 82 from the rear of PL mount flange.

Preliminary Specifications
All specifications subject to change

(*) Angle of view calculations based on Alexa Studio 4:3 camera

And the Oscar goes to...


Cooke Optics received an Academy Award of Merit (Oscar Statuette) at the annual Scientific and Technical (Sci-Tech) Awards Presentation at The Beverly Hills Hotel on February 9, 2013.

“To Cooke Optics Limited for their continuing innovation in the design, development and manufacture of advanced camera lenses that have helped define the look of motion pictures over the last century. Since their first series of motion picture lenses, Cooke Optics has continued to create optical innovations decade after decade. Producing what is commonly referred to as the ‘Cooke Look,’ these lenses have often been the lens of choice for creative cinematographers worldwide.”